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AND

WORD COULD MEAN NECESSARY RELATIVE PROVISIONAL AND A BIRD FLICKS PAST LEAVING THE SENSE THAT ONE HAS

“I miss circumstance
already—

the way a single word
could mean

necessary, relative,
provisional

and a bird flicks past
leaving

the sense that one
has waved one’s hand.”

Armantrout, Rae. “Greeting.” Collected Prose. San Diego: Singing Horse Press, 2007. p. 115.

Catalog Record

Singing Horse Press

LET US MOVE FAST ENOUGH IN A SMALL ENOUGH SPACE AND OUR TRAVELS WILL TAKE FIRST SHAPE THEN SUBSTANCE

“Let us
move fast
enough, in a small
enough space, and
our travels
will take first
shape, then substance.”

Armantrout, Rae. “The Creation.” Collected Prose. San Diego: Singing Horse Press, 2007. p. 76.

Catalog Record

Singing Horse Press

AND FALLING AWAY FROM EACH OTHER COMMANDS AND DREAMS VERTICALS AND CIRCLES IF IT WAS IMPOSSIBLE

“So I wanted to write something filled with gaps and words tossed, and words touching, words crowding each other, letters mixing and falling away from each other, commands and dreams verticals and circles. If it was impossible to print, that didn’t matter.”

Howe, Susan. The Birth-mark: unsettling the wilderness in American Literary History. Middletown, CT: Wesleyan University Press, 1993. p. 175.

Catalog Record

TOUCHING WORDS CROWDING EACH OTHER LETTERS MIXING AND FALLING AWAY FROM EACH OTHER COMMANDS AND

““So I wanted to write something filled with gaps and words tossed, and words touching, words crowding each other, letters mixing and falling away from each other, commands and dreams verticals and circles. If it was impossible to print, that didn’t matter.”

Howe, Susan. The Birth-mark: unsettling the wilderness in American Literary History. Middletown, CT: Wesleyan University Press, 1993. p. 175.

Catalog Record

SOMETHING FILLED WITH GAPS AND WORDS TOSSED AND WORDS TOUCHING WORDS CROWDING EACH OTHER

“So I wanted to write something filled with gaps and words tossed, and words touching, words crowding each other, letters mixing and falling away from each other, commands and dreams verticals and circles. If it was impossible to print, that didn’t matter.”

Howe, Susan. The Birth-mark: unsettling the wilderness in American Literary History. Middletown, CT: Wesleyan University Press, 1993. p. 175.

Catalog Record

I WANTED TO WRITE SOMETHING FILLED WITH GAPS AND WORDS TOSSED AND WORDS TOUCHING WORDS CROWDING

“So I wanted to write something filled with gaps and words tossed, and words touching, words crowding each other, letters mixing and falling away from each other, commands and dreams verticals and circles. If it was impossible to print, that didn’t matter.”

Howe, Susan. The Birth-mark: unsettling the wilderness in American Literary History. Middletown, CT: Wesleyan University Press, 1993. p. 175.

Catalog Record

SURFACE AZURE OF POISE AND BALANCE RHYTHMIC RISE AND FALL OF WORDS THEIR DEEP ECOLOGY AND THREADS

“Echo cannot stop reflecting the original enchantment of the good mother beyond representation, her eye of nature absorbed in surface azure of poise and balance, rhythmic rise and fall of words, their deep ecology and threads of Divinity.”

Howe, Susan. Debths. New York, NY: New Directions, 2017. p. 16.

Catalog Record

New Directions Books

RHYTHMIC RISE AND FALL OF WORDS THEIR DEEP ECOLOGY AND THREADS OF DIVINITY HUSH BE QUIET DEEP-GREEN PAGAN

“Echo cannot stop reflecting the original enchantment of the good mother beyond representation, her eye of nature absorbed in surface azure of poise and balance, rhythmic rise and fall of words, their deep ecology and threads of Divinity. Hush be quiet deep-green pagan marvels.”

Howe, Susan. Debths. New York, NY: New Directions, 2017. p. 16.

Catalog Record

New Directions Books