“To succeed as computer music software writers, then, we need close exposure to high-caliber artists representing a wide variety of concerns, so that we can identify features that can solve a variety of different problems when in the hands of very different artists.”
Puckette, Miller. "Max at Seventeen." Computer Music Journal 26, no. 4 (2002): 2. doi:10.1162/014892602320991356.
Catalog Record
MIT
“It is not precisely a question of profundity but a different order of experience. One would have to tell what happens in a life, what choices present themselves, what the world is for us, what happens in time, what thought is in the course of a life and therefore what art is, and the isolaton of the actual”
Puckette, Miller. "Max at Seventeen." Computer Music Journal 26, no. 4 (2002): 2. doi:10.1162/014892602320991356.
Catalog Record
MIT
“And the deals
And the people will change again.
Under the soil
In the blind pressure
The lump,
Entity
Of substance
Changes also.”
Oppen, George. “Of Being Numerous.” New Collected Poems. Edited by Michael Davidson and Eliot Weinberger. New York: New Directions, 2008. p. 176.
Catalog Record
New Directions Books
“out there the song
changes the wind has blown the sand about
and we are alone the sea dawns
in the sunrise verse with its rough
beach-light crystal extreme”
Oppen, George. "Disasters." The American Poetry Review 5, no. 5 (1976): 14. Accessed May 26, 2021.
JSTOR
“Earth
Earth is sometimes called a little deal
too. It is true that four million years
all the plants and animals in our sun’s
family are much on the earth and live in
a sea.”
Notley, Alice. "Little Stories Of The World." Ambit, no. 43 (1970): 44.
Catalog Record
JSTOR
“...of nature stand in it stand its the veritable door of stand. to be that ever hawk the trees stand with wild flutter in the tangle. and in the after but there is no after no shift. explain explain it was an explan not a now putting on a coat and leaves burning softly no one sees.”
Notley, Alice. "Grave of Light." Chicago Review, Christopher Middleton: Portraits, 51, no. 1/2 (Spring 2005): 166.
Catalog Record
JSTOR
“in the concept of two dennis and denise one has a tailfeather stuck on which one its so hard to find the cats eye and in the concept of two black gloss or gold light is the wings call to be all one and forget bread the light is stolen always is it midst of midst is that stolen ideas how to live in the here and now is stolen from all
the others in stolen light of grew up around the grave.”
Notley, Alice. "Grave of Light." Chicago Review, Christopher Middleton: Portraits, 51, no. 1/2 (Spring 2005): 165.
Catalog Record
JSTOR
“Utopian thinking can be nostalgic, a looking back in order to move forward; a sense that in order to hypothesize the idealized future, one has to imagine an ideal past, the lost Eden or Atlantis, an imaginary conflation of time and place when the species cohabitated in an idyllic condition. That Golden Age, projected by Hesiod and others, was based on a bucolic representation of enough for all and a subsequent absence of greed, vying for power, and corruption.”
Becker, Carol. "The Space Between What Is and What Wants to Be: The Abandoned Practice of Utopian Thinking." PAJ: A Journal of Performance and Art 38, no. 1 (2016): 6-13. doi:10.1162/pajj_a_00290. p. 12.
Catalog Record
Project Muse
“If the organism carries a ‘small-scale model’ of external reality and of its own possible actions within its head, it is able to try out various alternatives, conclude which is the best of them, react to future situations before they arise, utilise the knowledge of past events in dealing with the present and future, and in every way to react in a much fuller, safer, and more competent manner to the emergencies which face it.”
Atkinson, R. C. (2018). The Mind’s Theorist. Revista Colombiana de Psicología, 27, 133- 139. https://doi.org/10.15446/rcp.v27n1.68594. p. 8. Craik, Kenneth J.W. The Nature of Explanation. Cambridge University Press, 1967.
Catalog Record
UC San Diego
"a shadow that moves over the ground
like the shadow of a bird
every single thing contains all things
the pebble in your mouth its blue flame
the feather its blood
your hand falling releases the light
that your hand rising encloses
the shadow of pain in your eyes
the shadows of clouds over water in principle your eyes
could annihilate the earth
with their shadow"
Antin, David, and Charles Bernstein. “The Passengers.” A Conversation with David Antin. New York City, NY: Granary Books, 2002. p. 29.
Catalog Record
University of Pennsylvania